Mario Ybarra Jr // sharegaminghub.com

13/11/2013 · Mario Ybarra Jr. talks about his local ad hoc art studio, Slanguage, at the 2013 Creative Time Summit: Art, Place, and Dislocation in the 21st Century City. Mario Ybarra, Jr. creates sculptures, installations, photographs, and activist interventions as a means of examining various components of Mexican-American identity. Mario Ybarra Jr.: Capp Street Project - Livros na Amazon Brasil- 9780972508070. Pular para conteúdo principal. Assine Prime Olá, Faça seu login Contas e Listas Pedidos Experimente Prime Carrinho. Livros Ir Pesquisa Olá Selecione o endereço. 20/01/2015 · Mario Ybarra Jr.’s "Barrio Aesthetics", Chapter 2 of The Manifest Destiny Billboard Project, used source material from the artist’s ongoing collection of images of Mexican and Mexican-American communities in Los Angeles, transplanting these images to billboards spread throughout Mobile, AL, to insert the daily culture and experience of one.

Mario Ybarra, Jr. Mario Ybarra, Jr., is a visual and performance artist, educator, and activist who combines street culture with fine art in order to produce what he calls “contemporary art that is filtered through a Mexican American experience in Los Angeles.”. 01/04/2013 · Mario Ybarra Jr.'s emotionally layered exhibition "Double Feature" was a compilation of two projects: "Scarface Museum," a collection of memorabilia from Brian de Palma's 1983 movie, which was a favorite of his childhood friend Angel Montes Jr.; and "Universal Monsters," five painted and two sculpted selfportraits based on characters. 27/01/2014 · Mario Ybarra Jr. of Slanguage Studios speaks at the ReMODEL 2 Sculpture Symposium at Claremont Graduate University on Oct. 19, 2013. Over 20 internationally recognized artists from across California universities and. Mario Ybarra, Jr. creates sculptures, installations, photographs, and activist interventions as a means of examining various components of Mexican-American identity. His aesthetic often combines street culture iconography with historical and political imagery. While the practice of introducing "ready-made" objects into the gallery space is as old as Marcel Duchamp's notorious urinal, the way that Mario Ybarra, Jr. presents and connects to his Tío Collection stands at a distinct distance and angle to more familiar artistic practices of appropriation and re-contextualization.

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